SELECTIVE SOLO EXHIBITIONS
2001 Artplace, Ponytails, Venice CA
Six Degrees: Art in the Libraries, Los Angeles CA
2000 The Living Room: Special Projects in Contemporary Art, The Martha Project, Santa Monica CA
1995 Domestic Setting, Los Angeles CA
1991 The American Gallery, Jan Taylor/Wendy Furman, Los Angeles CA
SELECTIVE GROUP EXHIBITIONS
2010 Napa Valley Art Museum, The Art of Wine: Expressions of an Industry, Yountville, CA
Arizona State University Art Museum, Open for Business, Tempe AZ
2001 University Art Gallery, California State Polytechnic University, Pomona, Sensate, Pomona CA
2000 6th Wexford Artists Book Exhibition, LA3D Sam Erenberg/Wendy Furman, Wexford, Ireland
Laguna Art Museum, L.A. Art in the Early 90’s <–ReCharge–> The Norton Family Gift, Laguna Beach CA
1999 12FU Gallery, Mach Schau, Akron OH
Side Street Projects, Concoctions, Santa Monica CA
1998 Post, Group Show, Los Angeles CA
Gallery 207, It’s A Girl! Los Angeles CA
Farmers Daughter, One Night Stand 5, Los Angeles CA
1997 Post, Domestic Setting Revisited, Los Angeles CA
1996 Post, Group Show, Los Angeles CA
1995 Rio Hondo College, August 28, Whittier CA
1994 Domestic Setting, Steven Evans/Wendy Furman/Habib Kheradyar, Los Angeles CA
Cleveland Center for Contemporary Art,Turning Silver Into Gold, Cleveland OH
Domestic Setting, Deutsche Bank, NYC NY
Domestic Setting, Sawtelle,Los Angeles CA
Mount St. Mary's College Museum, Reference to Reverence for: Vessels, Los Angeles CA
1993 The Project Box, In The Shadow of a Vessel, Wendy Furman/LouAnne Greenwald, Los Angeles CA
The Project Box, Domestic Setting, Los Angeles CA
Cleveland State University Art Museum, The New Vulgarians, Cleveland OH
Domestic Setting, Los Angeles CA
1529 Wellesley, One Nail, Los Angeles CA
1992 1529 Wellesley, A Small Show, Los Angeles CA
Spaces, Tick, Tac, Toe, Cleveland OH
Randall Scott/TBA Gallery, Santa Monica CA
1529 Wellesley, Cruciforms, Los Angeles CA
Muranushi Lederman, 1.5 Show, NYC NY
1991 Daniel Saxon Gallery, Of Nature and the Human Spirit, Part II, Los Angeles CA
Richard/Bennett Gallery, The Store Show, Los Angeles CA
LACE (Los Angeles Contemporary Exhibitions), Gods, Clowns & Devils, Los Angeles CA
Market Street Gallery, Venice CA
Daniel Saxon Gallery, Of Nature and the Human Spirit, Los Angeles CA
Rebecca Rutledge, Works On Paper, Venice CA
1988 Los Angeles County Museum of Art, Sales and Rental Gallery, Los Angeles CA
Richard/Bennett Gallery, The New Code, Los Angeles CA
1987 Richard/Bennett Gallery, Salon Des Independants, Los Angeles CA
FELLOWSHIPS
1998 California Digital Arts Workshop, Los Angeles CA
1990 Fundacion Rodriguez-Acosta, Granada, Spain
WWW
1999 Regine Basha, “California Studio Visits: Jody Zellen, Adam Ross, Wendy Furman,” Postmedia June 1999
1998 AFI (American Film Institute) & California Arts, Council California Digital Arts Workshop, The Martha Project
David Bloom, “ New Appreciation for Anime” L.A. Daily News Online 28 November 1998
BIBLIOGRAPHY
Jacqueline Cooper, Extended Art Reviews, New Art Examiner, May 2000, Volume 27, No. 8 pg 46
Annika Marie, “Wendy Furman at The Living Room,” Artweek, April 2000, Volume 31, Issue 4, pgs 26-27
Lita Barrie, “Why Isn’t Martha Stewart Sexy?,” essay, 2000
The Living Room, “Wendy Furman, The Martha Project” catalogue, 2000
Regine Basha, “California Studio Visits: Jody Zellen, Adam Ross, Wendy Furman” Postmedia June 1999
Susan Kandel, “Art Reviews,” Los Angeles Times 29 September 1994, pg 4
Peter Frank, “Pick of the Week,” LA Weekly Volume 15, No. 42 September 17- 23, 1993, pg 109
“Artist Project: The Vessels Drawings 1993,” Artspace March/April 1993, pgs 44-45.
Eric Sussyne, “The New Vulgarians,” essay, 1993
Cleveland State University, “The New Vulgarians,” catalogue, 1993
Amy Sparks, “Not-So-Vulgar Vulgarians,” The Cleveland Free Times 27 October 1993, pg 22
Steven Litt, “ ‘New Vulgarians’ Casts Wry Eye on Today,” The Plain Dealer 4 November 1993
Kymberli Hagelberg, “Vulgarians and Extremes,” The Scene, 5 November 1993
Steven Litt, The Plain Dealer, 27 December 1992, pg 3
The Cleveland Free Times, 16 December 1992
Richard/Bennett Gallery, “The Store Show” catalogue, 1991
Elaine Dines-Cox, “the White Panels,” The American Gallery, essay, 1991
Marina La Palma, “The Gaze Examined,” Artweek, XIX, 26 July 1988, pg 5
Christopher Knight, “Trademarks for New Traditionalists,” Los Angeles Herald Examiner, 8 July 1988, pg 35
MISC
University of California Los Angeles (lecturer)
University of California Irvine (lecturer)
University of California Northridge (lecturer)
Santa Monica College (lecturer)
University of Southern California - USC (teaching)
American Film Institute - AFI (teaching)
ScArc - (lecturer, workshop)
California Arts Council, California Digital Arts - Fellowship, Los Angeles CA
Fundacion Rodriguez-Acosta - Residency Fellowship, Granada, Spain
Artist in Residence, SBDC (Sonoma Small Business Development Center)